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E-image EI-7050H 75mm Fluid Head With Level Bubble

E-Image EI-7050H 75mm Fluid Head With Level Bubble

Fluid Tripod Head With Level Bubble

£55.00 (ex vat)

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E-image EI-717AH Flat Based Head

E-Image EI-717AH Flat Based Head

Supports up to 6KG

£55.00 (ex vat)

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E-image GH03 Fluid Video Head

 E-Image GH03 Fluid Video Head

Fluid Video Head

£75.00 (ex vat)

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Manfrotto MVH500A Lightweight Fluid Video Head

Manfrotto MVH500A Lightweight Fluid Video Head

60mm Half Ball (5kg Payload)

£125.00 (ex vat)

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Libec H38 Professional Fluid Head

Libec H38 Professional Fluid Head

Professional Fluid Head

£240.00 (ex vat)

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Manfrotto 504HD Pro Video Head 75

Manfrotto 504HD Pro Video Head 75

Pro Video Head

£255.00 (ex vat)

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E-image GH06 Fluid Video Head

 E-Image GH06 Fluid Video Head

Fluid Video Head

£340.00 (ex vat)

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Libec H55 Fluid Head

Libec H-55 Fluid Head

Fluid Head

£350.00 (ex vat)

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E-image GH08 Fluid Video Head

 E-Image GH08 Fluid Video Head

Fluid Video Head

£395.00 (ex vat)

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Tripod Heads

Most tripod heads are 'fluid' heads. They have an internal liquid which creates a dampening effect known as drag. When operating a tripod it is important that you have some control over the level of drag - entry-level heads will sometimes have no control, whereas professional range heads have finer control and will allow you to determine the level of drag. The control can either be in the form of a dial, where you dial in the amount of fluid, or with a stepped fluid head predefined stages will be the same every time you use the setting. The stepped fluid gives you the best ease of control.

Essential Tripod Handling

When checking a tripod head, make sure that there is no 'play' in it, i.e. when you begin a movement, there should be no jerkiness or inconsistencies in the drag; it should start off with an instantly smooth motion. Good tripod heads will also offer a quick release plate for transferring your camera to handheld in a matter of seconds.

Stable Balanced Tripods

Some tripods have a counterbalance system to help keep the camera balanced. There are a couple of benefits to counterbalance; you can position the camera further forwards or backwards on the head, and a system of springs in the head will help to keep the camera neutralised in a horizontal position.