Copied to Clipboard.

Canon EOS C500 MK II Camera

Availability:In stock
Cat No.
36946
SKU
3794C006
Canon

2 in stock - Order by 3pm for free next day delivery.

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

Our stock is strategically distributed across multiple warehouses to ensure swift processing and delivery. If you require urgent collection and the product is showing in stock , please call us at 01442 292929 or email sales@proav.co.uk to check for availability.

Special Price £9,594.00 £7,995.00 Save: £604.00 Save: £724.80
- +
Apple Pay

Product Information

Canon C500 MK II

New generation Cinema EOS System

The Canon C500 MK II brings you a new generation Cinema EOS System with 5.9K Full Frame sensor in a compact body and delivers breathtaking image quality with Canon colour science. Newly developed technologies ensure great flexibility and reliability for all cinematographers.

Breath-taking Full Frame Image Quality
Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.

The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.

High Quality and Efficient Recording Formats
The C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files. This multi-recording format provides efficiency and fulfils production requirements.

5.9K Over Sampling Processing for 4K
The Canon C500 uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.

Compact, Lightweight and Reliable
Approx. 1,730g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Various Mount and Lens Options
The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.

Highly Configurable and Modular Design
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications.

Pioneering Auto Focus Technology
The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull.

To further fine tune AF performance, the C500 II offers the ability to set the AF tracking speed and response.

Extensive Auto Focus Functions

Dual Pixel Focus Guide
Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.

Tracking AF
Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.

Face Priority AF / Face Only AF
Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.

First Cinema EOS to Support Electronic IS
C500 MK II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.

Automatically Obtains Focal Length
When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.

Electronic IS with Non-Electrical Contract Lenses
Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.

Focal Length can be Saved
Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.

High Frame Rates
The Canon EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K.  In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.

Advanced Interface
The EOS C500 MARK II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.

Full Frame ND Filter
Equipped with a robust built-in electronically controlled ND filter system, C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.

New OSD Layout
Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.

Anamorphic Lens Support
The C500 Mark II camera supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x squeeze anamorphic lenses (that cover a native 1.2:1 aspect ratio on the sensor) can be used as well, using a 4:3 cropped area of the sensor.

User LUT Support
Users can customize their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal.

A new dedicated LUT button gives additional operational flexibility.

ACES Support
The C500 Mark II supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the D206 can be imported directly into the ACES compatible systems.

Additionally, video output from the camera can be monitored by selecting the ACES Proxy.

Key Specifications:

  • 5.9K Full Frame CMOS sensor
  • Immersive Full Frame look with faithful colour reproduction
  • Internal 5.9K Cinema RAW Light recording
  • Efficient RAW file onto CFexpress
  • 4K 4:2:2 10-bit
  • Up to 810Mbps internal recording
  • Dual CFexpress slots
  • Simultaneous or relay recording
  • High Dynamic Range support
  • SMPTE ST 2084 and ITU-R BT.2100 (HLG)
  • Pioneering Autofocus Technology
  • Accurate and reliable, with touch screen control
  • DIGIC DV7 Image Processor - To power the advanced features of the camera
  • 12G-SDI terminal - Deliver 4K signal via single cable
  • 5.9K Full Frame CMOS sensor
  • Internal 5.9K Cinema RAW Light recording
  • Efficient RAW file onto CFexpress
  • Compact, modular design
  • Advanced Dual-Pixel Autofocus Technology
  • 1x Canon EOS C500 MK II
  • 1x Camera Grip GR-V1
  • 1x Thumb rest
  • 1x Mic holder unit [w/ M4 screw]
  • 1x LCD Monitor LM-V2
  • 1x LCD Attachment Unit LA-V2
  • 1x Handle unit
  • 1x Shoulder strap SS-1200
  • 1x Battery Charger CG-A20
  • 1x Compact power adapter CA-CP200B
  • 1x AC cable
  • 1x Battery pack (BP-A60)
  • 1x Extension System Attachment Bracket
  • 1x Unit Cable UN-5
  • 1x Stopper
  • 1x Hex Wrench Set (M4 and M3)
  • 1x Hex Socket Head Bolt (1/4 in.)
  • 1x Hex Socket Head Bolt (M3)
Camera Image Sensor
Sensor Full Frame CMOS sensor
System RGB primary colour filter (Bayer array)
Sensor Modes Full Frame / Super 35 mm (Crop) /
Super 16 mm (Crop)
Total Pixels Approx. 20.8 megapixels (6062 x 3432)
Effective Pixels (Full Frame Mode) Approx. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution Approx. 17.52 megapixels (5580 x 3140): 3840 x 2160 or 1920 x 1080 selected resolution
Effective Sensor Screen Size 38.1 x 20.1 mm (43.1 mm on the diagonal): 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution
35.7 x 20.1 mm (41.0 mm on the diagonal): W 3840 x 2160 or 1920 x 1080 selected resolution
Dynamic Range Canon Log 2: 1600% / 15+ stops
Canon Log 3: 1600% / 14 stops
Wide DR: 800% (at ISO 400)
Image Processor
Type DIGIC DV7
Lens
Lens Mount Canon EF Mount. B4 mount lens via adapter accessory (EF or PL)
Lens Magnification factor
(for EF Mount lenses, including Cinema Primes)

Full Frame: 5952x3140 / 4096x2160 / 2048x1080: equals 1.00x crop factor
                     3840x2160 / 1920x1080: equals 1.05x crop factor

Super 35MM (Crop): 4096x2160 / 2048x1080: equals 1.46x crop factor
                                     3840x2160 / 1920x1080: equals 1.53x crop factor

Super 16mm (Crop): 4096x2160 / 2048x1080: equals 2.92x crop factor
                                       3840x2160 / 1920x1080: equals 3.07x crop factor

Changeable Lens Mount Yes, User changeable to EF with Cinema Mount or PL
Peripheral illumination correction YES (dependent on lens used)
ND filter Up to 10 stops via built in ND filter system (in extended mode)
Focus control EF Mount: Via lens, wireless control or wired remote (dependent on lens used)
PL Mount: Only Cine Servo lenses
Iris control (EF mount lenses) Via body, grip, wireless control or wired remote.1/2-stop, 1/3-stop or FINE control.Possible to maintain constant F-number during zoom.
Cooke /i Technology Support Yes (PL Mount only after mount change)
Anamorphic Lens Support Yes, x2.0/x1.3
Image stabilization system Optical depending on lens used
Recording
Internal Recording CFexpresscard x2 for Cinema RAW Light or
XF-AVC/MXF, SD card for XF-AVC Proxy recordingSD card also used for Photo Storage (1920 x 1080),
CP setting transfer and firmware update,
Recording time
(CFexpresscard, 512GB) Approx.
Cinema RAW Light:  5952 X 3140: 2.1Gbps: 30 Mins
                                 4096 X 2160: 1 Gbps: 65 Mins
                                 2048 X 1080: 250 Mbps 256 Mins
XF-AVC/MXF:            4096 X 2160: 810 Mbps 79 Mins/410 Mbps 156 Mins
                                 2048 X 2160: 310 Mbps 207 Mins/160 Mbps 401 Mins
Recording Formats Cinema RAW Light (CRM), XF-AVC (MXF)
System Frequency/ Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
50.00Hz mode (50.00P / 50.00i / 25.00P)
24.00 Hz mode (24.00P)
XF-AVC
Cinema RAW Light
Cinema RAW Light Bit Rate / Bit Depth (PAL) 5952 X 3140: 50.00P, 2.1Gbps 10-bit/25.00P, 2.1 Gbps 12-bit
4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1Gbps 12-bit
2048 X 1080: 50.00P, 250Mbps 10-bit/25.00P 250 Mbps 12-bit
XF-AVC Recording Bit Rate/ Sampling (PAL) 4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps
2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps
All Intra Frame
XF-AVC Proxy Recording Bit Rate/ Sampling (PAL) To SD Card 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP
Slow/Fast Motion Cinema RAW Light:
5952x3140/4096x2160: 59.94P /29.97P/ 50.00P / 25.00P : 15 - 60 FPS. 24.00P/ 23.98P : 12 - 60 FPS
2048x1080: 59.94P /29.97P/ 50.00P / 25.00P : 15 - 120 FPS.24.00P/ 23.98P : 12 - 120 FPS
XF-AVC, Full frame/Super 35mm (Cropped):
4096x2160/3840x2160 (810/410 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 - 60 FPS
24.00P/ 23.98P : 12 - 60 FPS
2048x1080/1920x1080 (310/160 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 - 60 FPS
24.00P/ 23.98P : 12 - 60 FPS
Super 16mm (Cropped)
59.94P /29.97P/ 50.00P / 25.00P : 15 - 120 FPS. 24.00P/ 23.98P : 12 - 120 FPS
2048x1080 (35/24 Mbps): 59.94P /29.97P/ 50.00P / 25.00P : 15 - 120 FPS. 24.00P/ 23.98P : 12 - 120 FPS
Interval Record No
Frame Record No
Pre Record (cache record) Yes, 3 seconds
Relay Recording Yes
Double Slot (simultaneous) Recording Yes
Scan Reverse Yes
HD->SD Conversion No
Photo Storage Media SD/SDHC memory card
Photo Recording Size Approx. 930 KB at 2048x1080; Approx. 880 KB at 1920x1080
System
Wave Form Monitor Yes. Via MON.1/2, VIDEO or HDMI Terminals (Not available from SDI Out 1 -4)
Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ and HDR-HLG output supported. Indication is pre-LUT (where LUT is selected)
False Colour Display (Exposure Indication) Yes. Via MON.1/2, VIDEO or HDMI Terminals
Colour Bars SMPTE, EBU and ARIB colour bars available. See the menu.
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
Zebra Level 1; Level 2; Both
Output via HD-SDI or HDMI
Markers On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white.
EVF
Built-In EVF No
Optional EVF Accessory Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70
Inputs/Outputs
Audio In XLR 3-pin connector x2 , 3.5 mm stereo mini jack (input only, powered)
Input 1 and 2 on camera body. Additional  2x 3-Pin XLR on optional Expansion Unit EU-V2 (Input 3 and 4)
Headphone Output 3.5 mm stereo mini jack (output only, Camera Body).
Video Monitor Output MON.: BNC jack , (output only, Camera Body).
HDMI HDMI connector (type A) (output only, Camera
Body).
USB Yes, Input only, Camera Body. (GP-E2 connection)
SDI Output BNC jack 1 x 12G-SDI Out (output only, Camera Body).
Time Code BNC jack (input/output, Camera Body)
Genlock Yes with optional Expansion Unit EU-V1 and EU-V2.
BNC jack (input only/also serves as SYNC OUT connector)
Synch BNC jack (output only/also serves as GENLOCK connector)
Component Out No
AV Terminal No
DC Output Yes, with optional EU-V2. DC 24V 2A jack Fischer 3-pin jack (output only),
D-Tap connection, 50W maximum
DC Input XLR 4-pin jack
Remote Control Terminal REMOTE A connector 2.5 mm stereo mini-mini jack (input only)
REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 or EU-V2
Wireless Control Terminal Yes
Lens Terminal Yes, with optional EU-V2. 12-pin jack
Ethernet Terminal Yes, with optional EU-V1 and EU-V2. Ethernet connector (RJ45) (supports 1000 BASE-T)
IP Streaming Yes. Via Ethernet connection. Wi-Fi capability TBC) 9
Mbps/4 Mbps:1920 X 1080 (59.94p/59.94i/
50.00p/50.00i) optional EU-V1 or EU-V2 required
User Viewing LUT Input Yes
Video Connector Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor
Misc.
Tally Lamp Yes
Custom Dial Yes
Shooting Functions Exposure
Exposure Metering Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push
Auto Iris, Auto Iris
Exposure Compensation Yes
Auto Exposure Mode Auto Iris with compatible lenses
Push Auto Iris Yes EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2
Exposure Lock No
Auto Gain Control Setting Yes
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200,
6400, 12800, 25600, [51200,102400]
[---] Displayed when ISO speed expansion is ON. (*)
Displayed when ISO speed expansion is OFF
1/3 Stop Display: [100,125], 160, 200, 250, 320, 400,
500, 640, 800, 1000, 1250, 1600, 2000, 2500,
3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000,
20000, 25600,
[32000,40000,51200,64000, 80000,102400]
[---] When ISO speed expansion is ON.
Auto Focus System (EF Mount) Dual Pixel CMOS AF, Contrast AF
AF Frame Sizes (EF Mount) Large; size equivalent to approx. 20% (vertical) x 25%
(horizontal) of the image display range
Small; size equivalent to approx. 20% (vertical) x 8%
(horizontal) of the image display range
Selectable AF point over 80% (approx.) of sensor
Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting.
One-Shot AF, Continuous AF, AF-Boosted MF
Face Detection AF (EF Version Only) Face Priority or Face Only.
Focus Guide EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses
Gain Setting 18dB, 21dB, 24dB, 27dB,
30dB, 33dB, 36dB, 39dB, 42dB, [45dB,48dB,51dB,54dB]
[---] Displayed when ISO speed expansion is ON.
(*) Displayed when ISO speed expansion is OFF.
When ISO speed expansion is ON: between -2 dB
and 54 dB
When ISO speed expansion is OFF: Any value from
-2 dB to 42 dB in 0.5 dB increments can be set.
Shutter
Control Modes Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
Shutter Speed 1 sec to 1/2000 depending on frame rate and Shutter
Control Mode, 39 setting options
Shutter Angle 11.25º to 360º depending on frame rate
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan 24.00 Hz* to 250.40 Hz
(*) The frequency will differ depending on the frame rate setting.
Custom Picture
Stored Configurations BT.709 (Wide DR / BT.709 Gamut)
LOG (Canon Log 2 / Cinema Gamut)
HDR-PQ (HDR-PQ / BT.2020 Gamut)
HDR-HLG (HDR-HLG / BT.2020 Gamut)
USER5 to USER20 (Wide DR / BT.709 Gamut)
* From BT.709, HDR-HLG is protected.
Colour Matrix Neutral: Accurate colour reproduction
Production Camera: Colour reproduction for use in
movie production
Video: Color reproduction equivalent to C300/500
CP-OFF (for commercial cameras)
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100
Vivid: Corresponds to Traditional Colour in ITU-R
BT.2390
Master Pedestal -50 to +50
Master Black Adjustable for each channel RGB -50 to +50 plus
Master Black -50 to +50
Black Gamma Adjustable Level -50 to +50, Range -20 to +50 and
Point -20 to +50
Low Key Saturation Adjustable: -50 to +50
Knee Point -50 to +109, Slope -35 to +50, Saturation -10 to
+10
Sharpness Adjustment for Level, H Detail Freq., Coring, HV Detail
Balance, Limit, Select, Knee Aperture and Level dependent sharpness
Noise Reduction Off, On (1 to 12)
Skin Detail Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
Colour Matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection
White Balance AWB, USER setting 01(setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B)
Colour Correction Area selection / area revision of two areas
Setup Level -50 to +50 On/Off
Wi-Fi & GPS Specifications
Wi-Fi (Optional Accessory) 1) WPS [Wi-Fi Protected Setup] (push-button system,
PIN code system)
(2) Manual setup
(3) Search for access points
Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128,
TKIP, AES, Auto /manual
GPS Information (Optional Accessory) Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
White Balance
Auto Yes
Preset Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B
White Balance Matching Yes, for previous models
White Balance Shift YES. -9 to +9 (Daylight and Tungsten only)
Black Balance
Black Balance Adjustment Yes
Time Code
Count Up System Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
Start Value Setting “00:00:00:00”, Set/Reset selectable
Audio
Recording Linear PCM (24-bit / 48kHz), 4 channels
Accessories
Supplied Camera Grip GR-V1, Thumb rest, Mic holder unit
[w/ M4 screw], LCD Monitor LM-V2,
LCD Attachment Unit LA-V2, Handle unit, Shoulder
strap SS-1200, Battery Charger CG-A20,
Compact power adapter CA-CP200B, AC cable,
Battery pack (BP-A60), Extension System Attachment
Bracket, Unit Cable UN-5, Other: Stopper,
Hex Wrenches (M4 and M3), Hex Socket Head Bolt
(1/4 in.), Hex Socket Head Bolt (M3)
Optional Canon Battery Pack BP-A30/BP-A60 (provided with
camera)
Canon Battery Charger CG-A10/CG-A20 (provided
with camera)
Canon Remote Controller RC-V100
Canon Compact Power Adapter CA-CP200B
(provided with camera)
Canon Shoulder Strap SS-1200
(provided with camera)
Canon Tripod base TB-1
Canon GPS Receiver GP-E2
Canon Unit Cable UN-5 (provided)/UN-10
(purchased separately)
Canon OLED Electronic View Finder EVF-V50(*)/
EVF-V70
* Canon Extension unit 1: EU-V1
* Canon Extension unit 2: EU-V2
* Canon EF Cinema Lock Mount Kit CM-V1
* Canon PL Mount Kit PM-V1
Canon B4 Mount Adapter MO-4E/MO-4P
Canon LCD Monitor LM-V2 (included)/LM-V1
Canon LCD Attachment Unit LA-V2 (included)/LA-V1
Canon Camera Grip GR-V1 (included)
Canon Shoulder Support Unit SU-15
Canon Shoulder Style Grip Unit SG-1
Canon Clamp Base CL-V2
Canon Rod Clamp RD-1
Canon Handle Unit HDU-2
Canon 8-pin Remote Cable RR-10/RR-100
Canon EF/EF cinema lens group, Canon PL cinema
lens group, and accessories
designed for these lenses
(*) New products
Third Party Accessories V-Lock Battery
Miscellaneous
Dimensions (Main Body Only) Approx. 153x148x168mm (WxHxD)
Weight (Body Only) Approx. 1,730g
Weight (Accessories) Camera Grip GR-V1: Approx. 260g  Mic holder unit: Approx. 56g
LCD Monitor LM-V2: Approx. 204g  LCD Attachment Unit LA-V2: Approx. 265g
Handle unit: Approx. 227g  Thumb rest: Approx. 9g
Battery Pack BP-A60: Approx. 434g  Extension System Attachment Bracket Approx. 11g
Compact Power Adapter CA-CP200B: Approx. 290g  (Not including AC cable)
Unit Cable UN-5 Approx. 80g  Battery Charger CG-A20: Approx. 145g  Body cap: Approx. 1g
Eyecap: Approx. 26g
Optional accessories
Extension unit 1: EU-V1: Approx. 11g Extension unit 2: EU-V2: Approx. 652g
OLED Electronic View Finder: EVF-V50: Approx.17 g
EF Cinema Lock Mount Kit CM-V1: Approx. 170g Not including cap
PL Mount Kit PM-V1: Approx. 345g Not including cap
MO-4E: Approx. 230g  MO-4P: Approx. 248g
CFexpress card: Approx. 8g  Clamp Base: CL-V2:Approx. 120g
Operating Temperature Range Approx. 0 to 40°C, (85% relative humidity)
Approx. -5 to 45°C, (60% relative humidity)
Power Supply BP-A60 (Supplied), BP-A30 (Optional) V-Lock with
EU-V2, 11V - 20V, Mains 4-pin XLR
Power Consumption (W) Cinema RAW Light: Full size/5952 x 3140 2.1GB: 59.94P/50.00P 34.0W
Super 16mm/2048 x 1080 250Mbps: 59.94P/50.00P 28.0W
XF-AVC: Full size/ 4096 x 2160 810Mbps: 59.94P/50.00P 33.4W
Super 16mm/2048 x 1080 310Mbps: 59.94P/50.00P 28.0W
MAX POWER CONSUMPTION: 63W

* All specifications are subject to change without notice
* CFexpress (owned by CompactFlash Association)